Instalaciones/Esculturas Sonoras



A Noise In Your Eye: an International Exhibition of Sound Sculpture,
Bristol, Arnolfini, 1985.

BERANEK, Leo L., Music, Acoustics and Architecture, Nueva York, John Wiley & Sons, 1962.

Broken Music: Artists´Recordworks (eds. Ursula Block y Michael Glasmeier), Berlín, DAAD/Gelbe Music, 1989.

CELANT, Germano, Record as Artwook, Londres, Royal College of Art Gallery, 1973.

_, OFFMEDIA, Bari, Dedalo Libri, 1977.

_, The Records As Work from Futurism to Conceptual Art, Forth Worth, Fort Worth Art Museum, 1977.

CHMIELORZ, Rilo, Palimpsesto de agua, Alicante, Archivo Municipal, 1993.

_, Performance y montaje, Universidad de Alicante, 1993.

Die Stillen. Klangräume-Klangistallationen-Klangwelten, Skulpturenmuseum Glaskasten Marl, 1994.

ECHO. The images of sound 1 (ed. Paul Panhuysen), Eindhoven, Het Apollohuis, 1984.

Ecouter par les yeux. Objets et environnements sonores, París, Musée d´Art Moderne de la Ville de Paris, 1980.

Electrosons-electrosounds, Parachute, nº 107, Montreal, 2002.

El espacio del sonido. El tiempo de la mirada (ed. José Iges), San Sebastián, Diputación Foral de Gipuzkoa, 1999.

Environnments of Musical Sculpture You Can Build (ed. John Grayson), Vancouver, A.R.C. Publications, 1975.

FONTANA, Bill, Sound Sculpture, Melbourne, National Gallery of Victoria, 1970.

_, Satellite SoundBridge, San Francisco-Colonia, San Francisco Museum of Modern Art/Museum Ludwig, 1987.

FOX, Terry, Terry Fox, Berkeley, University Art Museum, 1973.

_, Metaphorical Instruments, Essen, Museum Folkwang, 1982.

_, Works with Sound (1 CD), Kehrer Verlag Heidelberg, 1999.

Fur Augen und Ohren, von der Spiel uhr zum akustischen Environment, Berlín, Akademie der Künste, 1980.

GARCIA CASTILLEJO, Juan, La música eléctrica, Valencia, 1944.

Harry Bertoia: Sculptor (ed. J.K. Nelson), Detroit, Wayne State University, 1970.

HOPKIN, Bart, Orbitones. Spoon Harps & Bellowphones (1 CD), Nueva York, Ellipsis Arts, s.f.

_, Gravikords Whirlies & Pyrophones (1 CD), Nueva York, Ellipsis Arts, s.f.

Hören Ist Sehen. Oir Es Ver. To Hear Is To See (ed. Gue Schmidt), Viena, Edition Ausart, 2000.

Hören Ist Sehen To Hear Is To See (ed. Gue Schmidt), Viena, Edition Ausart, 2001.

JULIUS, Rolf, Small Music (Grau), Kehrer Verlag Heidelberg, 1996.

Klanginstallationen, Bremen, Gesellschaft für Aktuelle Kunst, 1987.

Klangskulturen Augenmusik. Grenzgänge zwischen. Musik und Plastik im 20. Jahrhundert, Koblenz, Ludwig Museum, s.f.

Klangkunst, Munich/Berlín, Akademie der Künste/Prestel, 1996.

KUBISCH, Christina, Works 74-75, Milán, Giancarlo Politi, 1979.

_, Azur, Kunstverein Neuenkirchen, 1993.

_, Zwischenräume, Stadtgalerie Saarbrücken, 1996.

LARRAÑAGA, Josu, Instalaciones, Hondarribia, Nerea, 2001.

LEITNER, Bernhard, Sound: Space, Nueva York, New York University Press, 1978.

Live To Air. Artist´Sound Works (3 casete), Audio Arts, Vol. 5, nº 3&4, Londres, 1982.

LOPEZ ROJO, Alfonso, "Ars Sonora", Lápiz, nº 160, Madrid, 2000.

LUCIER, Alvin, Reflexionen/Reflections, Colonia, Musik Texte, 1995.

_, y SIMON, Douglas, Chambers, Middletown, Wesleyan University Press, 1980.

MADERUELO, Javier, El espacio raptado. Interferencias entre arquitectura y escultura, Madrid, Mondadori, 1990.

MARCLAY, Christian, Christian Marclay, Berlín/Fribourg, Daadgalerie/ Fri-Art Centre d´Art Contemporain Kunsthalle, 1994.

MINARD, Robin, Sound Environments. Music for Public Spaces, Berlín, Akademie der Künste, 1993.

Mit Klang: Klangaktionen und Klanginstallationen, Berlín, Gallerie Giannozzo, 1982.

Musical machines-American Style, Washington, The National Museum of History & Technology, Smithsonian Institute, 1971.

NEUHAUS, Max, Sound Installlation, Basilea, Kunsthalle Basel, 1983.

_, Max Neuhaus, Sound Installation, Providence, Rhode Island, Brown University, 1983.

_, Max Neuhaus, Bignan-Locminé, Edition du Centre d´Art, 1987

_, Max Neuhaus, Sound Line, Le Magasin-Centre National d´Art Contemporain de Grenoble, 1988.

_, Max Neuhaus, Two Sound Works 1989, Berna/Colonia, Kunsthalle Bern/Kölnischer Kunstverein, 1989.

_ Max Neuhaus, Elusive Sources and "Like" Spaces, Turín, Giorgio Persano, 1990.

_, Inscription. Sound Works Volume I, II, III, 0stfildern, Cantz Verlag, 1994.

_, Max Neuhaus. Evocare l´Udibile/Evoquer L´Auditif, Milán/Castello di Rivoli/Niza, Charta/Museo d´Arte Contemporanea/Villa Arson, 1995.

OOSTERLYNCK, Baudouin, Partitions. Oeuvres de 1975 à 1990, Editions Imschoot & Centre d´Art Nicolas de Staël, 1990.

_, 25 ans entre l´oeil et l´oreille, Service de la Culture de la Province de Namur, 2001.

ORTS, José Antonio, Doble Ostinato, Valencia, IVAM, 1997.

PARTCH, Harry, Genesis of a Music, Madison, University of Wisconsin Press, 1949. Nueva York, Da Capo, 1974.

Resonancias (ed. José Iges), Ayuntamiento de Málaga, 2000.

SARMIENTO, José Antonio, "Los sonidos construidos", Fisuras, 11, Madrid, 2001.

SCHULZ, Thomas, "...not here but under the sea" (mini CD), Berlín, Neuer Berliner Kunstverein, 1992.

Sehen um zu Hören -Objekte und Konzerte zur visuellen Musik der 60er Jahre (ed. Inge Bäcker), Düsseldorf, Städtische Kunsthalle, 1975.

Site of Sound of Architecture & the Ear (1 CD) (ed. Brandon LaBelle & Steve Roden), Los Angeles, Errant Bodies Press, 1999.

Sonorità prospettiche: suono/ambiente/immagine, Rimini, Sala Comunale d´Arte Contemporanea, 1982.

Sonic Boom. The art of sound (2 CDs), Londres, Hayward Gallery Publishing, 2000.

Sonic Process. Une nouvelle géographie des sons (ed. Christine van Assche), París, Centre Georges Pompidou, 2002.

Sound by Artists (eds. Dan Lander y Micah Leixer), Banff, Art Metropole/ Walter Phillips Galery, 1990.

Sound Installation, París, Musée d´Art Moderne de la Ville de Paris, 1983.

Sound - an Exhibition of Sound Sculpture, Instrument Building and Accoustically Tuned Spaces, Los Angeles, Los Angeles Institute of Contemporary Art, 1979.

Sound Sculpture: a Collection of Essays by Artists Surveying the Techniques, Applications, and Future Directions of Sound Sculpture (ed. John Grayson), Vancouver, A.R.C. Publications, 1975.

Sound/Art, Nueva York, Sound Art Foundation, 1983.

SUTHERLAND, Roger, "Esculturas sonoras (1)", Hurly Burly, nº 4, Madrid, 1998.

_, "Esculturas sonoras (2)", Hurly Burly, nº 5, Madrid, 1988.

SUZUKI, Akio, Soundsphere (1 CD), Eindhoven, Het Apollohuis, 1990.

_, tubridge 99-OO (1 CD), Berlín, Berliner Künstlerprogramm des DAAD, 1999.

The New Grove Dictionary of Musical Instruments (3 vols.) (ed. Stanley Sadie), Londres, Macmillan, 1984.

TINGUELEY, Jean, Sculptures and Reliefs 1954-1968, Zurich, Galerie Bruno Bischofberger, 1982.

VILLALOBOS HERRERA, Alvaro, Ambientaciones, instalaciones, happening y performance, Méjico, Universidad Autónoma del Estado de Méjico, 2000.

VOGEL, Peter, Zeit-Klänge, Basilea, Galerie Carzaniga & Ueker, 1993.

_, Kybernetische Objekte, Galerie MeiBner, 1994.

_, Peter Vogel, Basilea, Galerie Carzaniga & Ueker, 1995.

_, Interaktive Objekte, Siemens AG/Zweigniederlassung Stuttgart, 1996.

Writing Aloud. The sonic of Language (eds. Brandon Labelle y Christof Migone), Los Angeles / Downey, Errant Bodies Press / Ground Fault Recordings, 2001.

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