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PROGRAMME
(subject to last-minute modification)
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Tuesday 22nd April |
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| 18:00-20:00 |
Registration of Delegates
Palacio de Valdeparaíso C/de las Bernardas 2 |
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20:00-22:00 |
Welcome Reception
C/Gerónimo Ceballos 2 |
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Wednesday 23rd April |
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| 10:00-10:30 |
AULA MAGNA
Official Opening |
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| 10:30-11:30 |
AULA MAGNA
Plenary Session 1
Paulina KEWES (Oxford University) Early Elizabethan Drama and the problem of counsel Chair: Juan Antonio Prieto Pablos, Universidad de Sevilla
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| 11:30-13:00 |
AULA 1 Seminar 1 eModE Language and Linguistics 1
The verb ‘drink’ in the sixteenth century part of the Corpus of Early English recipes Francisco Alonso Almeida, Universidad de Las Palmas de Gran Canaria
The audience of MS Hunter 93, a medical text Ivalla Ortega Barrera, Universidad de Las Palmas de Gran Canaria
Regional Lexis in Bp. White Kennett’s Parochial Antiquities (1695): An Ignored Source of Early-Modern Provincial Vocabulary Javier Ruano García, Universidad de Salamanca
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AULA MAGNA Seminar 2 Cultural Studies 1
Spanish medieval and renaissance history as depicted in Charles Dickens’ A Child’s History of England Eroulla Demetriou & José Ruiz Mas, Universidad de Jaén
“That which is bred in the bone, will never out of the flesh”: English pamphleteers’ views of the Kings of Spain during the Spanish Match negotiations (1617-1624) Eroulla Demetriou & Luciano García García, Universidad de Jaén
Visionay politics: Biblical typology in Anna Trapnel’s The Cry of a Stone (1654) Joan Curbet, Universitat Autònoma de Barcelona |
| 13:00-16:00 |
Conference Opening Reception
Palacio de Valdeparaíso Main Patio |
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| 16:00-17:30 |
AULA 1 Seminar 3 Cultural Studies 1
The anti-catholic discourse in Thomas Scott’s Vox Dei (1623) and Vox Regis (1624): A vehicle for discussion on new models of government Leticia Álvarez Recio, Universidad de Sevilla
‘You the meek Virgin’: An approach to Lady Eleanor Davies’ prophetic voices Carme Font Paz, Universitat Autònoma de Barcelona New contexts for old prints: the political construction of the Popish Plot Manuel J. Gómez Lara, Universidad de Sevilla |
AULA MAGNA Seminar 4 Renaissance Drama 1
Jesting joyfulness: Humor, vice, and improvisation in renaissance morality theatre Karen Kettnich, University of Maryland, USA; Agnes Matuska, University of Szeged, Hungary
“Needful Woe”: King John and Genre Zenón Luis-Martínez, University of Huelva
Richard Flecknoe and Interregnum drama Rafael Vélez Núñez, Universidad de Cádiz |
| 17:30-19:00 |
AULA 1 Seminar 5 eModE Language and Linguistics 2
Diction patterns on the English art song in the Baroque period Jaime Berrocal Hernández , Escuela Superior de Canto, Madrid Proverbs in Shakespeare’s plays: Popular wisdom as a stylistic element Jesús Marín, Universidad de Extremadura
Words ‘new and old’ – of some oxymoric paradigms in Shakespeare’s Sonnets Mireille Ravassat, University of Valenciennes, France |
AULA MAGNA Seminar 6 Renaissance Drama 2
Macbeth's kitchen Maurizio Calbi, Universitá di Salerno, Italy
Time and the dramatic representation of experience in The Winter’s Tale Lorena Laureano Domínguez Universidad de Huelva
The chore and the passion:
Shakespeare and graduation
in
mid-twentieth-century Portugal |
| 19:00-20:00 |
AULA MAGNA
Plenary Session 2
Douglas LANIER (University of New Hampshire) Errors and Eros: Pregnant misfires in A Midsummer Night's Dream Chair: Clara Calvo, Universidad de Murcia
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Thursday 24th April |
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| 09:00-10:30 |
AULA 1 Seminar 7 Restoration Drama 1
Analysing the grotesque in Aphra Behn’s The Rover I (1677) and II (1681) Ángeles Tomé Rosales, Universidade de Vigo Truth and fiction in Margaret Cavendish’s The Blazing World (1666) Sonia Villegas López, Universidad de Huelva
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AULA MAGNA Seminar 8 Renaissance Verse
Rewriting Ideologies: Translating Petrarch in Renaissance England Antonio Ballesteros González, UNED Making an audience: Early Modern readers and the Helicon Elena Domínguez Romero, Universidad Complutense de Madrid
Henry Constable’s sonnets to Arbella Stuart María Jesús Pérez Jáuregui Universidad de Sevilla |
SALA DEL CONDE DE VALDEPARAÍSO Seminar 9 SNESL workshop 1
Towards a social network approach to late medieval London guilds: Initial hypotheses José Miguel Alcolado Carnicero, Universidad de Castilla-La Mancha
Linguistic variation in the Salem Witchcraft Papers: Applicability of social network theory María Chacón Chacón, Universidad de Castilla-La Mancha |
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| 10:30-12:00 |
AULA MAGNA Seminar 10 Restoration Drama 2
The oriental tragedies of Mary Pix and Delarivier Manley Pilar Cuder Domínguez, Universidad de Huelva
The politics of pathos in Otway’s Don Carlos (1676) Paula de Pando Mena, Universidad de Sevilla
“All pretty hearty” in Newgate: The jolly Jacobite conspirator in Durfey’s Love for Money (1691) Mª José Mora, Universidad de Sevilla |
SALA DEL CONDE DE VALDEPARAÍSO Seminar 11 SNESL workshop 2
Historicity in English Historical Linguistics research: The case of social networks and communities of practice in eighteenth-century London Susan Fitzmaurice, University of Sheffield
How Social Network Analysis can contribute to Conceptual Metaphor Theory: A preliminary exploration Fiona MacArthur and José Antonio Hoyas Solís, Universidad de Extremadura |
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| 12:00-12:30 |
Coffee Break |
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| 12:30-13:30 |
AULA MAGNA
Plenary Session 3 (SNESL workshop 3)
Terttu NEVALAINEN (Helsingin Yliopisto) Social networks in early Modern English: Only connect?
Chair: Javier E. Díaz Vera, Universidad de Castilla-La Mancha
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| 13:30-15:30 |
Free Time for Lunch |
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| 15:30-17:00 |
AULA MAGA Seminar 12 Shakespeare on Screen 1
Filming The Taming of the Shrew for Franco’s dictatorship: La fierecilla domada (1955) Juan F. Cerdá Martínez, Universidad de Murcia
Gangster Shakespeares: Maqbool and Omkara as the new Corleones Rosa María García Periago, Universidad de Murcia
Shakespeare and experimental cinema: What happened to King Lear? Remedios Perni Llorente, Universidad de Murcia |
SALA DEL CONDE DE VALDEPARAÍSO Seminar 13 SNESL workshop 4
'For the Benefit of the Publick' - Late 17th century Londoners seen through advertising discourse Teresa Sánchez Roura, Universidade de Santiago
Non-standard 18th-century London language as evidenced by shopkeepers', footmen and coachmen's bills Laura Wright, University of Cambridge, England |
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| 17:00-18:00 |
AULA MAGNA
Plenary Session 4
John JOUGHIN (University of Central Lancashire) Dividuated selves: On critical finitude and the experience of ethnical subjectivity
Chair: Ana Sáez, Universidad de Valladolid
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AULA 1
Plenary Session 5 (SNESL workshop 5)
Alexander BERGS (Osnabrück Universität) The language of two brothers revisited: Philology meets social network analysis
Chair: José Miguel Alcolado, Universidad de Castilla-La Mancha
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| 18:00-19:30 |
AULA MAGNA
SEDERI General Meeting
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| 19:30-20:30 |
PALACIO DE VALDEPARAÍSO, MAIN PATIO
Walking Tour of Almagro
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| 20:30-21:15 |
CORRAL DE COMEDIAS DE ALMAGRO
Guided Visit of the Corral de Comedias (built in 1628) and Performance (in Spanish) of a selection of interludes by Miguel de Cervantes:
-El vizcaino fingido ('The Man Who Pretended to Be from Biscay')
-El viejo celoso ('The Jealous Old Man')
-Las cuevas de Salamanca ('The Caves of Salamanca')
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21:30 |
CONFERENCE DINNER
Ronda de San Francisco 31
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Friday 25 April |
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| 09:00-10:30 |
AULA 1 Seminar 14 eModE Language and Linguistics 3
Observations on Shakespeare’s phraseological language: Modified phraseological units in the plays José Luis Oncins Martínez, Universidad de Extremadura On Shakespeare’s use and manipulation of phraseologisms Manuel Sánchez García, Universidad de Extremadura
‘And endless complexity, lasts but a while’: On nominal structural and syntactic complexity in early Modern English Javier Pérez Guerra & Ana E. Martínez Insua, Universidade de Vigo |
AULA MAGNA Seminar 15 Cultural Studies 3
‘Nemo dat quod non habet’: The role of sermons in the shaping of England’s colonial discourse Francisco J. Borge, Universidad de Oviedo The Spanish ambassador’s account of the first Stuart masque: A new document Berta Cano Echevarría , Universidad de Valladolid; Mark Hutchings, University of Reading
Truth in Increase Mather’s A Further Account of the Tryals of the New England Witches and Cases of Conscience Concerning Witchcraft Elena Quintana Toledo, Universidad de Las Palmas de Gran Canaria |
| 10:30-12:00 |
AULA 1 Seminar 16 Shakespeare on Screen 2
“If Shakespeare were alive today…”: Re-reading postmodern politics in Baz Luhrmann’s Romeo + Juliet (1996) and Michael Almereyda’s Hamlet (2000) Manuel Casas Guijarro, Universidad de Sevilla
When Shakespeare becomes one of us: Coming out in Coronado's Hamlet and Jarman's The Tempest Juan Carlos Hidalgo Ciudad, Universidad de Sevilla
Becoming Shakespeare & Jane Austen in Love: An intertextual dialogue between two biopics Marina Cano López, Universidad de Murcia |
AULA MAGNA Seminar 17 Comparative Studies
Ariadne’s adaptation of Alexander Oldys’s The Fair Extravagant in She Ventures and He Wins Jorge Figueroa Dorrego, Universidade de Vigo
Caius Marius and Venice Preserv’d: Otway’s tragic, or “comic”, muse? Rafael Portillo, Universidad de Sevilla
Early stage history of Jules Romains' Volpone Purificación Ribes Taver, Universitat de València |
| 12:00-12:30 |
Coffee Break |
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| 12:30-13:30 |
AULA MAGNA
Plenary Session 6
Jean HOWARD (Columbia University) Beatrice's Monkey: Staging Exotica in early Modern London Comedy
Chair: Pilar Cuder, Universidad de Huelva
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13:30-14:00 |
Official Closing |
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| 15:30 |
Post Conference Excursion to
(bus leaves from Ronda de San Francisco)
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